Any Interest In A Gothic RPG?
Posted: Tue Nov 08, 2011 4:00 pm
I want to gauge interest in a true Gothic RPG.
As long-time followers of these Forums know, I have been working on Gothic-themed materials for Castles & Crusades. I use “Gothic” not just as as synonym for “Horror”, but in its earlier literary sense – equal parts romance, horror, and melodrama.
I'd like to know if there is any interest in a stand-alone game focused on Gothic stories. Not Fantasy with some Gothic elements, but true, full-blooded Gothic. I'd prefer to us the SIEGE Engine (if I can get permission from the Trolls), but could also create the game as its own system under the OGL.
My idea is to use the 1820s (the climax of the Gothic novel as a literary genre) as the baseline epoch for the game.
Think:
Ladies in Empire-waist gowns lost on the moors.
Brooding poets who may actually be vampires.
Forbidden love affairs with the threat of brutal punishments.
Ancient manor homes with closed-up rooms, ancient curses and forgotten dungeons.
Inbred noble families who imprison their most deformed members in such dungeons.
Napoleonic soldiers driven to madness by the horrors of war.
Seductive courtesans who imperil body and soul.
Mad scientists creating unnatural life.
Ruthless grave robbers who trade in human corpses.
I can think of the following possible expansions and alternate implementations:
Fiends & Fiefdoms: Medieval Gothic, focusing on superstition run amok, filth, injustice, and ceaseless violence. Examples and inspirations: “The Castle of Ontranto”
Swashbucklers & Shadows: Baroque-era witches, pirates, and religious wars. Examples and inspirations: “Witchfinder General”, “The Devils”, the Salem witch trials
Ladies & Libertines: An 18th Century-inspired genre of decadent aristocrats, dashing highwaymen, deadly duelists, and vicious social warfare, against a backdrop of moral, political, and social upheaval. Examples and inspirations: “Dangerous Liaisons”, “Justine”, “Barry Lyndon”
Bandits & Bloodsuckers: Eastern European-inspired stories, featuring wild landscapes of stark mountains and dark forests, backward societies rife with injustice, rumors of vampire nobility, and heroic bandits who protect the common people. Examples and inspirations: Balkan folktales, the back-story of “Dracula”
Gaslight & Grotesquerie: Victorian era stories of urban blight, hypocritical morality, repressed sexuality, choking pollution, creeping dehumanization, and strange science. This would be distinct from Steampunk, emphasizing the darkness of the period rather than its promise. Examples and inspirations: “The Strange Case of Dr. Jekyll and Mr. Hyde”, “Dracula”, the Jack the Ripper case
Plantations & Peril: Southern Gothic stories of haunted manors, endemic racism, forbidden lust, Hoodoo curses, lost splendor, vanquished pride, and insular communities with bizarre inhabitants. Examples and inspirations: The stories of William Faulkner, “A Streetcar Named Desire”, “Deliverance”, “The Gift”
Mariners & Monsters: Stories of a fictionalized New England, with rumors of bizarre cults, the long-suffering wives of sea-captains, inbred families, suppressed histories, a legacy of witchcraft, and strange monsters from the sea and stars. Examples and inspirations: The works of H.P. Lovecraft, many Stephen King stories, “The Dark Secret of Harvest Home”
Wackos & Wastelands: A cinematic-inspired genre focused on twisted murderers that dwell in the deserts of the Southwest United States, and the arrogant city slickers who fall victim to them. Examples and inspirations: “The Texas Chainsaw Massacre”, “The Hills Have Eyes”, “House of 1000 Corpses”
Victims & Vengeance: The victims of crime invade the twisted criminal underworld to seek revenge against the perverts and murderers who prey upon the innocent. Examples and inspirations: “Last House on the Left”, “I Spit on Your Grave”, “Death Wish”, “Ms. 45”
Angels & Abominations: Ordinary folks encounter Devil worshipers in the modern world, while the forces of Heaven and Hell prepare for all-out war. Examples and inspirations: “Rosemary's Baby”, “The Omen”, “The Devil Rides Out”
Hearts & Hauntings: Paranormal researchers investigate haunted houses and psychic phenomenon (real or faked), while dealing with their own interpersonal entanglements. Examples and inspirations: “The Haunting”, “The Legend of Hell House”, “Rose Red”, contemporary paranormal investigation shows.
Kisses & Killers: Paranormal Romance, where supernatural entities walk openly (or semi-openly) and encounter difficulties fitting into modern society. Examples and inspirations: “True Blood”, the Anita Blake stories, “Buffy The Vampire Slayer” and “Angel”
As long-time followers of these Forums know, I have been working on Gothic-themed materials for Castles & Crusades. I use “Gothic” not just as as synonym for “Horror”, but in its earlier literary sense – equal parts romance, horror, and melodrama.
I'd like to know if there is any interest in a stand-alone game focused on Gothic stories. Not Fantasy with some Gothic elements, but true, full-blooded Gothic. I'd prefer to us the SIEGE Engine (if I can get permission from the Trolls), but could also create the game as its own system under the OGL.
My idea is to use the 1820s (the climax of the Gothic novel as a literary genre) as the baseline epoch for the game.
Think:
Ladies in Empire-waist gowns lost on the moors.
Brooding poets who may actually be vampires.
Forbidden love affairs with the threat of brutal punishments.
Ancient manor homes with closed-up rooms, ancient curses and forgotten dungeons.
Inbred noble families who imprison their most deformed members in such dungeons.
Napoleonic soldiers driven to madness by the horrors of war.
Seductive courtesans who imperil body and soul.
Mad scientists creating unnatural life.
Ruthless grave robbers who trade in human corpses.
I can think of the following possible expansions and alternate implementations:
Fiends & Fiefdoms: Medieval Gothic, focusing on superstition run amok, filth, injustice, and ceaseless violence. Examples and inspirations: “The Castle of Ontranto”
Swashbucklers & Shadows: Baroque-era witches, pirates, and religious wars. Examples and inspirations: “Witchfinder General”, “The Devils”, the Salem witch trials
Ladies & Libertines: An 18th Century-inspired genre of decadent aristocrats, dashing highwaymen, deadly duelists, and vicious social warfare, against a backdrop of moral, political, and social upheaval. Examples and inspirations: “Dangerous Liaisons”, “Justine”, “Barry Lyndon”
Bandits & Bloodsuckers: Eastern European-inspired stories, featuring wild landscapes of stark mountains and dark forests, backward societies rife with injustice, rumors of vampire nobility, and heroic bandits who protect the common people. Examples and inspirations: Balkan folktales, the back-story of “Dracula”
Gaslight & Grotesquerie: Victorian era stories of urban blight, hypocritical morality, repressed sexuality, choking pollution, creeping dehumanization, and strange science. This would be distinct from Steampunk, emphasizing the darkness of the period rather than its promise. Examples and inspirations: “The Strange Case of Dr. Jekyll and Mr. Hyde”, “Dracula”, the Jack the Ripper case
Plantations & Peril: Southern Gothic stories of haunted manors, endemic racism, forbidden lust, Hoodoo curses, lost splendor, vanquished pride, and insular communities with bizarre inhabitants. Examples and inspirations: The stories of William Faulkner, “A Streetcar Named Desire”, “Deliverance”, “The Gift”
Mariners & Monsters: Stories of a fictionalized New England, with rumors of bizarre cults, the long-suffering wives of sea-captains, inbred families, suppressed histories, a legacy of witchcraft, and strange monsters from the sea and stars. Examples and inspirations: The works of H.P. Lovecraft, many Stephen King stories, “The Dark Secret of Harvest Home”
Wackos & Wastelands: A cinematic-inspired genre focused on twisted murderers that dwell in the deserts of the Southwest United States, and the arrogant city slickers who fall victim to them. Examples and inspirations: “The Texas Chainsaw Massacre”, “The Hills Have Eyes”, “House of 1000 Corpses”
Victims & Vengeance: The victims of crime invade the twisted criminal underworld to seek revenge against the perverts and murderers who prey upon the innocent. Examples and inspirations: “Last House on the Left”, “I Spit on Your Grave”, “Death Wish”, “Ms. 45”
Angels & Abominations: Ordinary folks encounter Devil worshipers in the modern world, while the forces of Heaven and Hell prepare for all-out war. Examples and inspirations: “Rosemary's Baby”, “The Omen”, “The Devil Rides Out”
Hearts & Hauntings: Paranormal researchers investigate haunted houses and psychic phenomenon (real or faked), while dealing with their own interpersonal entanglements. Examples and inspirations: “The Haunting”, “The Legend of Hell House”, “Rose Red”, contemporary paranormal investigation shows.
Kisses & Killers: Paranormal Romance, where supernatural entities walk openly (or semi-openly) and encounter difficulties fitting into modern society. Examples and inspirations: “True Blood”, the Anita Blake stories, “Buffy The Vampire Slayer” and “Angel”